Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of MOMPER, Joos de 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
43722 Extensive Mountainous Landscape MOMPER, Joos de Extensive Mountainous Landscape Oil on canvas, 96 x 140 cm
8252 Flemish Market and Washing Place sg MOMPER, Joos de Flemish Market and Washing Place sg Oil on canvas, 166 x 194 cm Museo del Prado, Madrid
8250 Helicon or Minerva's Visit to the Muses sg MOMPER, Joos de Helicon or Minerva's Visit to the Muses sg Oil on panel, 140 x 199 cm Koninklijk Museum voor Schone Kunsten, Antwerp
8251 Landscape MOMPER, Joos de Landscape Oil on canvas, 174 x 256 cm Museo del Prado, Madrid
8255 Landscape with the Temptation of Christ wg MOMPER, Joos de Landscape with the Temptation of Christ wg Oil on oak, 51 x 83 cm National Gallery, Prague
8254 Mountain Scene with Bridges gs MOMPER, Joos de Mountain Scene with Bridges gs c. 1600 Oil on oak, 53 x 71,7 cm Wallraf-Richartz Museum, Cologne
8253 Rocky Landscape with Monks sg MOMPER, Joos de Rocky Landscape with Monks sg 1608 Oil on canvas, 111,5 x 150 cm National Gallery, Prague
8256 Tobias' Journey wsg MOMPER, Joos de Tobias' Journey wsg il on panel, 90 x 136 cm Rockox House, Antwerp
8257 Winter landscape sg MOMPER, Joos de Winter landscape sg c. 1620 Oil on panel, 49,5 x 82,5 cm Private collection

MOMPER, Joos de
Flemish painter (b. 1564, Antwerpen, d. 1634/35, Antwerpen). also known as Josse de Momper, is one of the most important Flemish landscape painters between Pieter Brueghel the Elder and Peter Paul Rubens. Brueghel's influence is clearly evident in this many of de Momper's paintings. Born in 1564 in Antwerp, Joos de Momper was first apprenticed to his father. In the 1580s, he travelled to Italy to study art. De Momper primarily painted landscapes, the genre for which he was well-regarded during his lifetime. He painted both fantasy landscapes, viewed from a high vantage point and employing a conventional Mannerist color transition of brown in the foreground to green and finally blue in the background, and more realistic landscapes with a lower viewpoint and more natural colors. His wide panoramas also feature groups of figures.
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